April 11 through April 28, 1996
Celebration of the Arts to showcase cultural diversity
There is something in this year's Celebration of the Arts that will excite everyone.
Hosted by Pueblo Community College, the annual Celebration will showcase a myriad
of talent while maintaining a "cultural diversity" theme during its April 11-28
run. Activities are scheduled all day long on Thursday through Sunday for three
weekends on PCC's Pueblo Campus. The event publication is an El Escritorio Publication. The
publication cover image was done by Nathan Solano.
Included in the extravaganza are a film festival, a Native American powwow, exhibits
by well-known artists, a gospel choir, a world famous band with Chicano roots, award-winning
student displays, poetry and short story writing contests, Scottish bagpipers, several
arts-related workshops, and much more!
Dr. Loco & the Rockin'' Jalapeño Band is one of the hottest and most innovative
Chicano roots/ world music bands. The San Francisco Bay-area band will perform with its
"get-down-and-dance" style on April 13. This blend of musicians explores the diversity
of Chicano-Latino music through distinctly original reworkings of classics.
The Robert M. Young Film Festival is a tribute to the internationally renowned film director.
Five of Young's films, starring Edward James Olmos, will be shown on April 18, and a reception
will enable the public to meet the director. Young is a John Cassavetes winner for outstanding
achievement in American independent filmmaking. A free public screening of Young's soon-to-be-released
new film Caught will be held on the eve of the Festival.
Augustin Lira and Alma, an all-acoustic ensemble brings to life the Chicano/Latino experience
through musical presentations and theatre. The group, which will perform April 26, presents
original works by authors from throughout Latin America and is popular in many different cultures.
The Pikes Peak Highlanders is a Colorado Springs-based Scottish bagpipe and drum group that performs
at festivals throughout the region. It is comprised of about two dozen men and women who share a deep
love of both pipe music and performing, a fact that is evident in the way they play. They will perform
April 27.
Native American poet/actor John Belindo has been involved in professional film and theatre, television
narration, video and theatrical production, and professional modeling. On April 19, Belindo will
conduct a theatre workshop, and judge a High School Scene Festival competition.
The House of Joy Choir is a twenty-five member gospel choir and band that celebrates the
African-American art form. The blend of beautiful voices enables them to enjoy the mass
appeal of diverse cultures. They will perform April 27.
While big-name national and international performers and artists will be spotlighted during the
Celebration of the Arts, local talent will be featured as well. Among them will be artists
Nathan Solano, Anthony Armijo, and Cheri Barnes-Prado, the Pueblo Friendship Powwow Association's
Contesting Powwow, various area high school vocal groups, arts and crafts exhibitors, and several
vocational-related contestants. There will even be a 5-kilometer (3.1 mile) walk/run on the morning
of April 27.
Also part of the Celebration is the "Anne Frank in the World" art exhibit that will be on
display at the Sangre de Cristo Arts and Conference Center.
Activities are open to the public. Most are free of charge, but tickets will be sold for some of the
main events.
A Commitment to Achieve
by Charlene Garcia Simms
Sculpture of César Chavez by Augustine Romero at El Centro del Quinto Sol Park at
Sixth and Erie
Three years ago Augustine (Gus) Romero had his heart set on creating a sculpture of
Emiliano Zapata to be placed at Zapata Park on the east side of Pueblo. He felt that
there was a need to have a sculpture of a Mexican icon or role model that Hispanic children
could look up to. He was sharing this dream with some friends when one of them suggested he
sculpt César Chavez as a memorial since he had just died. Gus was intrigued by this idea.
The more Gus learned about César the more he was impressed. Caesar Chavez, often called
the Martin Luther King of Hispanic Americans, founded the United Farm Workers of America.
He continuously fought for the well being and dignity of farm workers and their families.
Gus envisioned more than a sculpture. He wanted all the images in his design to be associated
with the migrant worker. His design encompassed a base with the image of the Virgen de Guadalupe
cut into it on which the bust of Caesar Chavez could be placed. He wanted a pyramid of 1-inch steel
to rise around the bust and the pyramid topped by a large stainless steel eagle and surrounded by a
large steel circle symbolizing the sun. The Virgen de Guadalupe would appear because she is a sign
of revolutionary change and a presence in Hispanic culture. The effect of the design would allow her
image to drift along the foreground. This image would allow the viewer to reflect on the stance of
the farm worker who works in a back bending position everyday. By supporting the bust it would point
out that César was an individual who had much faith. The pyramid would symbolize the very rich
culture and noble past of farm workers from Mexico and Central America, while the eagle would symbolize
the United Farmworkers logo and also a strong western and American image. The sun which brings light
and growth to the earth also has been harsh to the farmworker. Except for the bronze bust and the
concrete foundation the memorial would be all steel, an acknowledgment of Pueblo's history as a steel
town. At the bottom of the bust would be César Chavez' words, "We are not beasts of burden.
We are not agricultural implements or rented slaves. We are men."
Gus knew he didn't have the financing to do all this. However, he felt so strongly about getting
it done that he has spent the last three years making presentations to sell his idea and has held
grass root fund raisers all over the city to raise the money. He enlisted the help of other people.
He asked Emilio Gonzales, welding instructor at Pueblo Community College if he would do the welding
part of the sculpture. Mr. Gonzales advised Gus to enroll in a welding class at PCC where he would
have the opportunity to do the welding himself. Leroy Martinez, also a welding instructor at PCC,
helped Gus learn the art of welding. Gus is now only two classes away from being a certified welder.
Others from the community, such as Jimmy Valentine, helped him with the engineering aspect, and Kenny
Baum with the necessary equipment. Since the sculpture was going into a low income neighborhood he
was given $1929 in Community Development Block Grant Money. Thanks to the generosity of several
individuals and organizations from the community who donated money, and Brian Yoder who did a lot
of the leg work, he has raised almost half the money needed to cover the cost of the memorial.
Even people from outside the community such as author and poet, Jimmy Santiago Baca, helped to
get the concrete donated by a Denver-based company and an electrician's union located in Colorado
Springs contributed $500.
Today, except for two minor welds, the work is complete and Gus' dream is a reality. Gus will never
be compensated for his time or money spent, but according to Gus that's not important. What is
important is that many children from Pueblo will know who César Chavez was and what he stood
for. He will not be forgotten. When viewing this art piece at Quinto Sol Park one can hear children
playing and laughing. At times they'll stop and stare at the sculpture. If you catch the light at a
certain angle you can see a halo around the Virgen de Guadalupe and right above the base the bronze
sculptured bust of Caesar Chavez glows. Gus hasn't forgotten his dream of one day sculpting Emiliano
Zapata, but for now he is in New York City on a scholarship from New York University where he is
working on a master's degree in sculpture. He has a new respect for welding and is incorporating it
into his work. The Broadcasting and Production Department of Pueblo Community College has produced a
video on Augustine Romero and his sculpture that will be shown on Channel 39 during the Celebration
of the Arts.
Caesar Estrada Chavez was born in Yuma, Arizona, on March 31, 1927. He died April 23, 1993,
apparently in his sleep, at a relative's home in San Luis, California. His eldest son, Fernando
stated that a 36 day fast in 1988 weakened his father. The fast was to protest the use of pesticides
on California table grapes. This fast caused César to lose 19% of his body weight and he
ended up with kidney damage. This was just one example of him sacrificing himself to improve the
plight of the farm worker. He improved the condition of the farm workers by getting them basic
rights such as clean drinking water and bathrooms in the fields. One of César's biggest
successes was the passage of the Agriculture Labor Relations Act which was the strongest law ever
passed to protect farm workers. César Chavez commanded respect from presidents and governors
and became a hero to a new generation. In his study you could find pictures of those he most admired
Robert Kennedy, Martin Luther King, Jr., and Mahatma Gandhi. Atop his desk sat a short-handled hoe,
the back-breaking farm tool that he was instrumental in banning.
Powwow
Information complements Sandi Carrillo (Choctaw / Cherokee)
The Pueblo Friendship Powow Association tries each day to teach their children
as well as those who are not familiar with the Native American ways of life; to
respect and learn about the Native American traditions and cultures. By hosting
a celebration of friendship they succeed in preserving their past.
Some of the regalia you will see is hundreds of years old and has been passed down
through many generations. The association asks that you show the individual dancers
the respect due them by asking permission before taking their pictures. Picture taking
will be allowed during group dancing, unless otherwise announced. Please treat the
individuals regalia with the utmost respect. Do not touch regalia without permission.
The Dances
Northern Traditional Dancers - men...wear one bustle on their back usually made of
eagle feathers. They wear either a roach or a feather headdress and their outfits
can be made with fur, trade cloth, buckskin mirrors, and beadwork. They carry staffs
and shields. This dance reflects older tribal styles.
Southern Straight Dancers - Men...are referred to as the "Gentlemen" dancers.
Their outfits include ribbon work, leggings, breechcloth, and an otter hide tail which
hangs down the back. They wear another cap or roach and carry a beaded dance stick and a
fan. Movements are graceful and fluent.
Fancy Dancers-men...are notably recognized by the vivid double feather bustle worn on
their backs as well as smaller bustles on their arms. They usually wear a matching cape
and apron trimmed with fringe and matching beadwork. They carry a whistle and fan. Their
dance steps include intricate footwork, spinning, and body movements.
Grass Dancers-Men... wear outfits that are covered with an abundance of bright yarn fringe
and ribbons which enhance their graceful movements. They wear a roach headdress adorned with eagle
plumes. They often carry a whistle and a fan. Their dance steps include sliding, shaking, and
spinning.
Northern Traditional Dancers-Women...wear cloth or buckskin dresses with yokes that are
decorated with bead work shells or elk teeth. These dancers most often dance on the outer
perimeter of the arena in the same place in a graceful, rhythmic bounce.
Southern Traditional Dancers-women...wear outfits made of cloth or buckskins and adorned
with ribbon work or beadwork, and carry their shawl folded over their arm. They dance around
the arena, while the fringe on their shawls or buckskin dresses accentuate their graceful
movements.
Fancy Shawl Dancers-Women...wear brightly colored fringed shawls draped over their
shoulders that compliment their movements. Their dresses are often decorated with ribbons
and can be straight or flared. This is an energetic dance which exhibits gracefulness,
intricate footwork, and rhythm.
Jingle Dress Dancers-Women...wear cloth dresses covered with tin cone jingles that are
usually made from snuff lids. Most notable of this dance is the sliding of the dancers' feet
and the jingling of the dresses that accompany the beat of the drum.
Powwow terminology
Blanket Dance - A blanket is carried around, or laid in the center of the dance arena to
accept monetary contributions. Spectators may contribute whatever amount they feel appropriate.
The purpose for the dance is always announced prior to the dance.
Bustle - A circular configuration of feathers worn by men war dancers, one at the back of
the neck and one at the lower back. The main feathers are from the eagle and are usually tipped with colorful hackles.
Contest songs - Songs that are sung for judging purposes for a specific dance category.
Giveaway - On behalf of any honored individual, the family and relatives of the person
honored give gifts of appreciation to friends and visitors. The honored are usually the reigning
Princess, Head Man, Head Woman, Head Boy, and Head Girl. The Giveaway is a long-standing tradition
of many tribes.
Gourd Dance - A memorial dance primarily for man but women also participate. The honor
dancers wear red and blue robes, beaded and fringed sashes, and mescal bead bandoliers and carry
gourd rattles and feather fans. The dance is one where the movement is stationary; the men dance
in the forefront and the women dance behind. The songs and the dance pay tribute to the men and women
who have served and are serving in the military.
Lead Singer - The principal singer in a group who starts the song by the drum most common
to the Northern plains.
Hackle - A long narrow feather coming in various colors. It is widely used by fancy war
dancers in the construction of bustles.
Honor song - A specific song which is sung to fulfill a request by an individual or a family
in honor of a specific accomplishment or event in their life.
Inter-tribal - Dancers of all tribes are invited to participate at the same time.
Regalia - The costumes worn by the dancers. Some of the regalia is hundreds of years old and
has been passed down through generations.
Roach - the headdress worn by most male dancers. It is made from porcupine guard hair and
deer tail, and can vary in color.
Round Dance - A social dance in which dancers and spectators alike participate. Movement is
clockwise in a circular fashion to the beat of a drum.
Veteran's Song - Many tribes give special recognition to the men and women who have served
in the Indian Wars, World War I, World War II, Korea, Viet Nam, or Desert Storm, or who are a single
war veteran.
Shawl - A fringed garment worn around the shoulders of women dancers not in full regalia, or
carried by dancers who are in full regalia. Shawls are designed to each individual's taste.
Above image derived from photo by: Roxanne Neswilk
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